by admin | Sep 7, 2018 | Digital Media Practice 3 - 'FUSE'
PRODUCTION | COMPOSITING AND COLOUR MANAGEMENT EXPLORING THE UNKNOWN September 7th, 2018 BLENDING MODES, COLOUR NODES, BROKEN, SCENE REFERRED, DISPLAY REFERRED Chiefly, once the lighting is set up correctly using the Linear EXR data as an environment map, and by...
by admin | Aug 30, 2018 | Digital Media Practice 3 - 'FUSE'
PRODUCTION | NORMAL PAINTING & TEXTURING GIVING LIFE TO THE REACTOR CORE August 30th, 2018 NORMAL, HEIGHT, MAPS, DETAIL, TEXTURING Continuing on from my modelling process, I moved on to the texture painting process in Substance Painter. I not only chose this programme...
by admin | Aug 24, 2018 | Digital Media Practice 3 - 'FUSE'
Production | Modelling Making the 'Reactor CORE' August 24th, 2018 DJI OSMO, STANAGE EDGE, PEAK DISTRICT, NATURE Following my successful shoot in The Peak District, I began the modelling process. Chiefly, I used my research from previous projects in The Arcane Welder...
by admin | Aug 6, 2018 | Digital Media Practice 3 - 'FUSE'
Production | Location Shoot Filming the Binary Opposite of ‘Machine’ August 6th, 2018 DJI OSMO, STANAGE EDGE, PEAK DISTRICT, NATURE Following my research into suitable locations that would have the correct grandeur and scale for a Science Fiction landscape, whilst...
by admin | Aug 1, 2018 | Digital Media Practice 3 - 'FUSE'
”Research ”Making August 1st, 2018 HIGH DYNAMIC RANGE, REC709, LOG, DISPLAY TRANSFORM Based on all of my prior research in to both the perceived and visible contrast ratios of both D-Log and D-Cienmalike gamma within the DJI OSMO, I have confirmed that...
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